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“Sapp, as the refined Lewis, is restraint, understated, elegant yet thoroughly moving …”
Shadowlands by William Nicholson
“Alan K. Sapp, as Tobias, captures perfectly the ambivalence of this easy-going, non-confrontational gentleman. Sapp conveys Tobias’ inner turmoil with expressions, speech inflections, and mannerisms, all while presenting a congenial outward acceptance of the situation which is spinning out of control.”
A Delicate Balance by Edward Albee
“This is the part of a lifetime for Sapp, who is so convincing in word, gesture, mannerism and nuance that he becomes Le Gentil, and when his dreams have turned to ashes you feel it with an empathy that is painful to experience.”
Transit of Venus by Maureen Hunter
“Alan K. Sapp played four related roles, using his suave acting skills to manipulate Janie into baring her soul and everything else. How Sapp managed to sit as a statue for about 25 minutes in one long sequence without even twitching was no mean feat.”
Red Lips by Connie Gault
“Careful, restrained yet funny direction by Alan K. Sapp, and the whole package is worth seeing at least a couple of times…”
Crossing Delancey by Susan Sandler
“… top marks must go to director Alan K. Sapp for imaginative use of groupings making full use of stage , and an extremely intelligent interpretation.”
Bordertown Café by Kelly Rebar
“Einstein is both narrator and participant in the drama, deftly played by Alan K. Sapp in an understated style, which nonetheless rises to the occasion in the forceful arguments between Einstein and Haber, the pivotal scenes of the play. This is a careful study of great depth.”
Einstein’s Gift by Vern Thiessen |